What do they know of Kathakali, Who they only Kathakali knows? Mistaken Modernities in Kerala
Umar Nizar
The cultural ecosystem in southern India, has been at the forefront of heralding an Indic future, from APJ Abdul Kalam on the Veena to TM Krishna performing live at the beaches of Kerala and TN, the southern matrices of intermeshed artistic borrowings have helped create a superstructural buklwark. This is supposed to keep alive the notion of an unending, continuous tradition whose flame has to be preserved at any cost for sustenance of tolerant notions of the Upanisadic 'Vasudaiva Kudumakom' as well as some sort of Harappan humanism.
The concept of 'invention of tradition' as propounded by Eric Hobsbawm and articulated in the modern revivalist efforts to claim an 'in order to have been' future anterior temporal status for South Indian cultural (Bharatanatyam, Kathakali, Kutiyattom, Carnatic music) , political (Tamil Cinema, Dravidian rhetoric), aesthetic (Akam-Puram classifications of Sangham literature) and linguistic forms (Malayalam as classical language) forms the locus of this study. How much of the de facto classical in modern south India, such as the classical status of Malayalam and its cultural ecosystem comprising Kathakali, Kutiyattom, Mohiniyattom etc, is classical at least in a Foucauldian sense, stamps of credibility from global arbiters such as UNESCO notwithstanding?
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