The Homicidal Republic - India i.e. भारत

 

Anshul Kumar 

anshulVictor Hugo once said, "There is in every village, a torch-the teacher, an extinguisher-the priest." Village becomes homicidal if teachers are priests in disguise and vice versa and India is no less than such a Village Republic. Laws of Manu still prevail in this republic and very often override the constitutionalist morals and even ethical civil standards.

 Why is it that non-brahmin students are committing suicides in university spaces? Are they protesting against the unjust academic spaces? Is it that in their death also they are screaming out loud? Can we hear that loud scream? Why is Indian Media making victims out of such students? Why is the liberal discourse centered around bringing the issues of "Dalit" Students in the mainstream discourse? Why the liberal discourse never takes into account the problems faced by "Dalit" students and the necessary arrangements that need to be made in order to prevent the "loss of intellectual capital"?

If I were to find out, why students are committing suicides, I would intertwine societal structure of 21st century India with the impact this structure has on any individual. Intellect is a luxury, leisure seeking classes can never afford. Considering the preceding statement as a theoretical assumption, one can argue that anywhere and in any epoch in this world, intellectual capacities are inherently astounding among the masses than the elite and the ruling classes. This assumption of mine corroborates to be a veracious claim if one looks at the cultures of the masses which are directly related to their lived realities. Be it the first woman who planted rice saplings in a row1, or be the indigenous people who were adept in metallurgy, problem solving, reasoning and active cognition has always been an innate motivation for the masses.

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Hindu nationalism and Muslim nationalism co-produce each other: Khalid Anis Ansari

 

Round Table India

In this episode of the Ambedkar Age series, Round Table India talks to Prof. Khalid Anis Ansari, Director, Dr. Ambedkar Centre for Exclusion Studies & Transformative Action (ACESTA), Glocal University, Uttar Pradesh.

khalid

The interview focuses on the Pasmanda movement, on the issues of secularism/communalism and on the upper caste hegemony in all political, cultural and social fields in India. The interview was conducted by Kuffir, Contributing Editor, Round Table India, and produced by Gurinder Azad.

You can watch the full video here: https://www.youtube.com/watch?v=xWeeaXADPBw

Continued from here

~


Kuffir:
Yes, definitely a time to re-think, but there is also the question of a larger Muslim victimhood not being a totally invented narrative. It is also a reality and Dalit victimhood is also a reality. And there have been lots of riots in the thousands, which have been almost genocidal in nature.

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UP: Sangh Parivar's Caste Engineering & the disappearance of liberal Hindutva block


KK Baburaj
 

baburaj"Democracy is a process of becoming. It's a promise. It's in the name of that promise that we are able to question and criticize the existing form of democracy."
~ Derrida

"Dalit-backward-minority unity" and "Political Power to Bahujan Samaj" were some of the slogans raised by Ambedkarite organisations during the Mandal-Masjid period. There were strong discourses in the air as to the formation of another National movement or the necessity of a second freedom struggle.

Social and Political oppressions on Dalit Bahujans or religious minorities did not come down during the secular rule of the Congress which came to power after independence. It rather increased and the domination of the upper castes crept into every walk of social life. The economic policies of the Congress were designed to protect the interests of the imperialists. Naturally, the socialist organisations which were supposed to be opposing these injustices never had any constructive programmes that could address the sect of people, who were facing caste, religious and gender discriminations and exclusions. In fact, ideologically and practically the socialists were trying to revive the old nationalist movement. It was in this context that the concepts like 'second freedom struggle' and 'political power to Bahujan Samaj' reverberated across the nation.

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Somnath Waghamare’s ‘Battle of Bhima Koregaon: An Unending Journey’

 

Rohan Arthur


rohan arthurLast week, I went to watch Somnath Waghamare's film, 'The Battle of Bhima Koregaon: An Unending Journey' at Alternative Law Forum, Bangalore. This was the second screening of the film, after the first being screened at FTII, Pune. The 50 minute documentary is only one part of the viewing experience. The post-film discussion with Somnath completes the overall viewing experience, and I came away feeling like I just had my batteries charged. I first met Somnath a few months ago, and have been following his work and drawing valuable inspiration ever since. He is a courageous young man who is committed to the cause of the Ambedkarite movement.

 This film is not about dead Dalits. This is not a documentary film about the horrible atrocities that Dalits face, as part of their daily lives. This is not a film about a forward caste superhero coming to save the Dalits from their plight. Battle of Bhima Koregaon: an unending journey is an assertion about assertion. Somnath Waghamare's film is a documentary capturing the annual commemoration of Bhima Koregaon, that happens on Dec 31-Jan 1st every year. The annual event sees lakhs of visitors, many of whom are often repeat visitors. Why do so many people go to this place? What is the attraction that is drawing these huge multitudes of people from all over India, and even from foreign countries, to an out-of-the-way village near Pune?

bhima koregaon somnath

Somnath Waghamare, who holds a Master's degree in Media Studies from Pune University, grew up with the story of Bhima Koregaon as part of his personal history. But this heroic history is not visible anywhere in public discourse: no newspaper, magazine, TV serial, movie.... Nothing in the 'mainstream' even mentions this place. In fact, all of these media valourize and glorify the Peshwa rule, as if it was a glorious time of untold harmony and riches. Somnath and many of us know that this is all a big lie. The Peshwa rule in the 19th century is one of the most heinous and criminal periods in world history. The Peshwas were guilty of enslaving their own subjects, the ones they considered as lower-caste and out-caste, in the most brutal and humiliating ways. The media also shows Anna Hazare's village, Ralegan Siddhi, as a model village, but inexplicably skips Bhima Koregaon's story. The site is literally a stone's throw away!

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Saffronisation of Ambedkar and the need for resistance

 

Tejaswini Tabhane

tejaswini tabhaneWhen Ambedkar asked us to 'fight against Hindu Raj' he was not aware that one day the same propagandists of Hindu Raj will start (mis)appropriating his ideals. The fashion of saffronising Ambedkar has gained a new pace ever since the Narendra Modi-led National Democratic Alliance (NDA) government came to power in 2014. Their recent effort in this direction is the visit of Modi to Deeksha Bhoomi, Nagpur, on April 14 — Ambedkar's 126th birth anniversary. This visit has various political and ideological aspects which need to be discussed.

Deeksha Bhoomi is the place where Babasaheb embraced Buddhism and kept his words, "even though I was born in the Hindu religion, I will not die in the Hindu religion." It has a special place in the heart of every Ambedkarite and gives us an inspiration to fight Brahmin hegemony. Lakhs of people from all over India come here to celebrate Ambedkar Jayanti. Many among them are not financially capable to pay for their accommodation so they stay within the Deeksha Bhoomi and Dr. Ambedkar College campus. But this year, due to our prime minister's high profile visit to this place, no one was allowed to stay inside the monument. The main gate was closed till 12:30 pm, and the path in front of Deeksha Bhoomi was completely blocked. People were allowed entry inside the stupa through the south entrance gate and were made to leave through west gateway. The distance between the two is roughly 800 metres. So we had to walk this long distance just to visit our own Deeksha Bhoomi, not to mention, in the killing heat of Nagpur where temperature had nearly touched the 40 degree mark.

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Our New Title: What Babasaheb Ambedkar Means to Me

 

The Shared Mirror Publishing House

Jai Bhim! As we enter the 126th birth year of Babasaheb Ambedkar, The Shared Mirror is honoured to publish a compilation of essays on the theme 'What Babasaheb Ambedkar Means To Me' as a freely downloadable e-book, to be made available very soon! 

For updates please follow our Facebook page!
https://www.facebook.com/WhatBabasahebMeans/?pnref=story

bookcover red

Celebrating Babasaheb's life and achievements needs no particular occasion, he has emerged as a consciousness, a moral anchor for the masses. A musical tradition of rendering his life events from birth onwards, winding through Mahad, Poona Pact, Kalaram Mandir, Round Table conferences, the constitution itself, the conversion and his death was the foremost in the archiving of Babasaheb's memory and multiple legacies. This people's music in turn inspired artists, painters, writers and sculptors resulting in a vibrant visual rendering by people historians--men, women, young and old, who weave a tapestry of universal values of justice, equality, liberty and fraternity.

In a society that excludes at every turn, the excluded have claimed the public sphere with the physical shape of a bust or statue of Babasaheb. Can we even begin to fathom the processes that lead to seeing this physical manifestation of Babasaheb's consciousness at narrow street corners and busy marketplaces?

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The Betrayal of Ambedkar and Dalits

 

Raju Chalwadi

raju chaluwadiThere has been a race among the ruling class and especially among the ruling political class to project itself as true Ambedkarites or Ambedkar Bhakts, but will it dare to follow a single path shown by him..... Because, then there will not be a change in society but a change of society.

The April 14th of every year in India is a special day for the so-called "Untouchables of India". It was on this day in 1891, that an intellectual, namely, Dr. B. R. Ambedkar, was born in Mhow, in central India. This year will mark the 126th Birth Anniversary of this intellectual. Ambedkar was a trained economist, but in a real sense, he was a sociologist par excellence who had a deep understanding regarding the social structure of the Indian society. From 1920s onwards until his death, he made every attempt for the untouchables to get their socio-political rights. Finally, in order get a new socio-cultural identity he found solace in Buddhism along with millions of his followers.

Ambedkar would have been quite shocked, had he been alive today, on seeing the position of Dalits in contemporary Indian society. His people are being beaten up and killed for the same holy cow which for Ambedkar is no more than an animal. In his book "Revolution and Counter-Revolution in Ancient India", he gave detailed accounts of how it was the battle for supremacy between Brahmanism and Buddhism which resulted in the cow being made a holy animal. Further, the current regime's project of glorifying the past would have made him very nervous because it will further degrade the position of Dalits in society, because all the past myths and religious texts repeat the same dogma of purity of upper castes and defend the inhuman Varna system in the name of karma and dharma. Ultimately, if this is not stopped quickly, it will lead to the acceptance of Dalits themselves as being impure. Internalization of notions of impurity is bound to happen if the past myths and religious texts are given importance.

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Taking Babasaheb to Class

 

Sanam Roohi

sanam roohiBetween 2014 and 2016, I spent long hours of my days sitting on the first floor lounge of the IISc library, either working on my thesis, or publications, or reading something. The relaxed seating arrangements, beautiful trees that peer at you from three sides of the lounge, and, above all, the portrait of Dr. Babasaheb Ambedkar made me give up the serious and staid ground floor reading room for this first floor lounge. While I am hugely privileged to have access to the library, my thoughts do go to the blood and sweat of dalit bahujans spent on building that humongous library.

For many first generation university graduates like me, the journey towards a PhD studentship and the journey during the PhD to get that coveted degree, require more than hard work and enthusiasm for the subject to keep us going. The doctoral journey often kills creativity, crushes the initial enthusiasm, make students brutally aware of structures of privilege and oppression, and in some cases, defeat the student thoroughly. What many of us then need is tremendous amount of courage and inspiration to not give up and reach the finishing line. The last two years of my PhD were the toughest for me, and I drew my inspiration from three or four sources. One of which was definitely Babasaheb - as if his portrait in the library lounge was silently cheering me on, and firmly asking me to push myself a little bit more.

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हम बाबासाहब को तो मानते है पर बाबासाहब की नहीं मानते

 

डाॅ मनीषा बांगर
डॉ. जे डी चन्द्रपाल 

जब तक साँस चलती रहती है तब तक जीवन चलता रहता है; मगर जब साँस रूक जाती है तो जीवन समाप्त हो जाता है |

मगर क्या किसी महान व्यक्ति का जीवन उनकी साँस रूकने पर थम जाता है ?

babasaheb-ambedkar speaking

 ऐसा कहा जाता है की किसी व्यकित की महानता वे भौतिक एवं शारीरिक रूप से कितने साल जिए उस पर निर्भर नहीं करती बल्कि वे अवाम के दिलो दिमाग में एक भावात्मक रूप से एवं वैचारिक रूप से कितने साल जिन्दा रहते है उस पर निर्भर करती है | 

यह भी तथ्य पूर्ण है की जब तक उस महान व्यक्ति के विचार जिन्दा रहते है तब तक वह महान व्यक्ति मर नहीं सकते |

महान व्यक्ति के जीवन काल में उनके जीवन से ज्यादा महत्वपूर्ण होते है उनके कवन जो आने वाली कई पीढियो को एक बेहतरीन जीवन की शिक्षा देता रहता है और मानवता के श्रेष्ठ मुकाम तक ले जाता है | और इसी संदर्भ में महान व्यक्ति को याद किया जाता है या सदैव स्मरणीय रखा जाता है |

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Kishori Amonkar: Assertion, Erasure, Reclamation

  

Rohan Arthur

rohan arthurHindustani vocalist Kishori Amonkar passed away on 3rd April, 2017.

Kishori Amonkar is remembered for her contribution to Hindustani classical music, and her passing was mourned in popular news media as a great loss to the music community. This article is not about the musicality and vocal abilities of Kishori: there are plenty of other articles for this. There are also other articles and books about 'women', 'migration', 'glory days of Hindustani Music', etc. What they all mention, but also inexplicably missed to examine, was the context and circumstances that her career was inevitably ensconced in, and her valiant battles against the social order of caste hierarchy.

At this juncture (if not earlier), we should pause to ask ourselves these questions:
1. Who was Kishori Amonkar?
2. What is the role of Hindustani Classical Music in her life? Or, what was her influence on

Hindustani music (while still leaving the technicalities of music aside, because those matters, as mentioned earlier, have already been discussed in other writings)?
Kishori was the daughter of another noted vocalist, Mogubai Kurdikar. Mogu is considered a giant in the Hindustani Music tradition. She was born in the kalavant caste of Goa, which is today listed among the Other Backward Class (OBC).

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Dignity of the Dead and Living Bahujan cannot be Separate

 

Pinak Banik

                        Continued from Part 1

The purpose of the "Story of Nangeli" appearing on Facebook in Orijit Sen's own words is:
"This comics story is dedicated to Rohith Vemula (1989-2016), who, like Nangeli, chose death over a life of indignity."

Tribute to one dead Dalit by presenting another animated Bahujan death!

Neither Rohith nor Nangeli killed himself or herself out of choice but of absence of choice to have a life, in other words they were victims of structural murder. Brahminical oppression is reduced to lack of freedom of choice and individualist romantic zeal of choosing death.

Dead Dalits, as mentioned earlier, are "excellent sites where revolutionary fantasies blossom"! In Sen's artwork, and in the entire Brahmin historiography and aesthetics, the complete focus is through the microscopic lens placed over victimized bodies, wounds, names and numbers.

Pinak tank of tears


Parallels across the Globe

Since I wrote the Part 1 of this essay, another similar act of appropriation of suffering as art, in another part of the world, has unfolded an analogous debate. An American white woman artist, Dana Schutz's painting "Open Casket," displayed in the ongoing 2017 Whitney Biennial, has sparked protest from Black artist community for 'a perceived exploitation of a still-traumatic incident in American history'. The painting is derived from a 1955 press image depicting the body of Emmett Till, a fourteen-year-old African-American boy who was abducted and brutally murdered by white men under a false allegation of whistling at a white woman. An all white jury later acquitted both accused with the false testimony given by Carolyn Bryant, the white woman at the center of the trial. Emmett Till's mother Mamie Till Mobley had organized his public funeral service with an open casket to show the black community the brutality of her son's killing, saying, "Let the people see what I've seen". Later she got the photographs of the brutalized body in open casket published in the Jet magazine, a black publication, to 'speak to and to move a Black audience', insisting "that the violence that he has been subject to be seen, unobscured".

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