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Caught in a Traffic jam: Liberation in Malayalam cinema

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  Rupesh Kumar The Malayalam movie ‘Traffic’ has the actor Sreenivasan essaying complex roles; narrator, convict and the hero. I find it significant to analyze his role transformations and examine the explicit and implicit messages being conveyed in the movie as a reflection of Malayali society.  The Narrator         Why was Sreenivasan chosen to be the ‘philosophical’ …

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The media and violence against women in ‘Maya’s UP’

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  Bhanu Pratap Singh [Why is every crime in Uttar Pradesh reported as happening in ‘Maya’s U.P’, while similar incidents in other states are not publicized as happening in ‘Sheila’s Delhi’ or ‘Reddy’s AP’? This article discusses the sordid casteist politics behind the media’s consistent negative coverage of ‘Maya’s UP’, and the Congress and other …

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On Jha’s Suicide Quote

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— Prabin Dhangada Majhi [ Prabin’s article is a response to senior journalist and editor Prem Shankar Jha’s comments in a 2007 CNBC discussion on reservations. The comments resurfaced again in online discussions over suicides of Dalit students in India’s elite educational institutions, recently. You’ll find some of Jha’s comments reproduced here . And you’ll …

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Notes and beats of misrepresentation in Malayalam films

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by Rupesh Kumar Indian films mass mediate stereotypical images of marginalized communities like dalits and adivasis; something that is rarely challenged by anyone. The producers are almost invariably savarna/dominant caste males. The candid display of the film makers’ enormous illiteracy about the history, culture and politics of adivasi and dalits cannot be countered with the …

Features

Notes on Forbesganj Violence

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by Ashok Yadav & Khalid Anis Ansari The police firing and subsequent killing of five OBC Muslims in Bhajanpur village in Forbesganj of Araria district in Bihar on June 3, 2011 has been analyzed in most reports in the public sphere through the frame of ‘communalism’ and there has been little effort to grapple with …