Gaurav Somwanshi Nilesh Khandale’s debut short movie, ‘Ambuj’ seeks to shed light on some of the most pervasive but less talked about elements of the Indian caste society. Working as an Event Manager, and belonging to the Matang community in Maharashtra, Nilesh has always led the struggle of Phule-Shahu-Ambedkarite thought on social media where his …
Somnath Waghamare’s ‘Battle of Bhima Koregaon: An Unending Journey’
Rohan Arthur Last week, I went to watch Somnath Waghamare’s film, ‘The Battle of Bhima Koregaon: An Unending Journey’ at Alternative Law Forum, Bangalore. This was the second screening of the film, after the first being screened at FTII, Pune. The 50 minute documentary is only one part of the viewing experience. The post-film …
Project Heartland 3: When a Dalit Woman leads
Pratik Parmar Project Heartland captures the struggle of people from marginalised communities, mainly Dalits in Gujarat. It shows the courage and determination of Dalit women and men to assert for their rights despite all odds. By capturing these stories of struggle, Project Heartland wants these brave people to be known, recognised and be seen …
Kabali and Brahman Naman: A Study in Contrast
Pranav Kuttaiah Two films recently released that couldn’t seem more far apart. They are set in different contexts, directed by vastly different directors, produced and distributed for entirely different audiences, and star actors from completely divergent walks of life and scales of stardom. But the fact remains that they were produced from the same …
The Death of Merit – Dr. V. Ajay Sree Chandra
Gurinder Azad On 27th August 2007, V. Ajay Sree Chandra hanged himself in one of the hostel rooms of the famed IISc, hostel room number F002 to be precise, leaving his father and two younger brothers behind. Yet another prey to the brahmanical devil which lurks around to kill anyone it finds. It doesn’t discriminate …
The Earnestness of Kabali
Rajesh Rajamani Kabali is a very good movie. (Warning: Spoilers ahead!) The movie effectively borrows several Rajinikant tropes and uses them meaningfully within the script. For example, Rajinikant’s movies almost always begin with an opening song. Where he introduces himself to the audience. No one knows why this is done. It’s quite a bizarre …
Condemn ABVP’s disruption of the screening of “Muzaffarnagar baaqi hai”
Joint Statement condemning the ABVP disruption of the screening of the film, “Muzaffarnagar baaqi hai-Muzaffarnagar eventually” Montage, the film society of Kirori Mal College in the University of Delhi was screening “Muzaffarnagar Baaqi Hai- Muzaffarnagar Eventually” this afternoon, i.e. August 1, 2015. After about one hour of screening, around 30-40 ABVP workers, who were …
Will Guddu Rangeela prove to be a beginning?
Arvind Shesh So will the movie Guddu Rangeela prove to be a beginning of sorts? Both the protagonists of the movie, Guddu and Rangeela, are Dalit. That is one of the most daring and special things about the movie. The notorious khap panchayats of Haryana, their barbaric decisions against inter-caste lovers and how they deal …
Goans, Films, and their worlds – Putting Nachom-ia Kumpasar in context
Jason Keith Fernandes I am always afraid when I go to watch a film that features Goa or Goans, because of the host of problems that plague their representation. These problems were more than painfully obvious in the recent films Finding Fanny (2014) and The Coffin Maker (2011). As in these films Goa is …