Bobby Kunhu When I first watched the classic 1972 Luis Bunuel comedy, The Discreet Charm of the Bourgeouise, in 1994 or 95, I could not have imagined that it was possible to adapt the movie in an Indian context. Hypothetically, since I did not imagine that it could happen, I presume the reasons for …
The politics of Aadai
Rajesh Rajamani Introduction There is a prevalent tendency among film critics and even audience to classify a movie as feminist just because it has a female actor playing the lead role. So when Rathna Kumar’s Aadai starring Amala Paul released recently, there were similar expectations. Also, since the movie was titled ‘Aadai’ …
The Double Dhamaka of being a Brahmin Revolutionary
Rajesh Rajamani Recently, when ‘Kabali’ director Pa Ranjith introduced ‘The Casteless Collective’, an initiative that attempts to politicize and mainstream ‘Gaana’ music (considered to be a musical form of the oppressed), he was accused of bringing caste into art. Popular Tamil singer Srinivas from the Iyengar community rubbished the initiative on his social media …
How Privileged Are You? (Authentic version)
Rajesh Rajamani Has a know-it-all ISJW (Internet Social Justice Warrior) asked you to check your privilege? Did you misunderstand the statement and check the online dictionary to verify if the word is spelled as ‘privilege’ or ‘privelige’? Have you wondered why someone tagged you in a social media post that said: “When …
The Earnestness of Kabali
Rajesh Rajamani Kabali is a very good movie. (Warning: Spoilers ahead!) The movie effectively borrows several Rajinikant tropes and uses them meaningfully within the script. For example, Rajinikant’s movies almost always begin with an opening song. Where he introduces himself to the audience. No one knows why this is done. It’s quite a bizarre …